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Pirate’s life
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NAMBA BEGAN working on the show's costumes in April after bumping into HOT's artistic director, Henry Akina, on a plane to the Big Island. By the time the plane landed, the two had committed to working together on "The Pirates of Penzance," about a boy who becomes a pirate apprentice.
This is Namba's third collaboration with HOT, Hawaii's only professional opera company. Namba first worked on "Madame Butterfly" and last year's Gilbert and Sullivan show "The Mikado." But "Pirates" stands out.
"This one is the most work for us," she said. "This one has the most amount of costumes."
How many? Punching in numbers on a calculator, she comes up with 57 costumes, including outfits for actors Michael Gallup (Major General), Jean Stilwell (Ruth), George Dyer (Frederick), Korliss Uecker (Mabel), Mary Chesnut Hicks (Edith), Georgine Stark (Kate) and Frank De Lima, Cathy Foy and Stephanie Sanchez, who appear in cameo roles.
Among the costumes is a mermaid outfit fashioned from two different shades of blue organza. The mermaid costume was the most difficult to make, she said, but other outfits are just as elaborate, including white blouses, petticoats and full skirts for maidens and wine-and-gold-colored costumes for pirates.
"There are scruffy pirates but not my pirates," laughed Namba, who is an avid opera-goer, along with her mother. "My pirates are flamboyant and ornate. They are designer pirates. They are not from any specific time period; it's not exactly accurate. I just took the characters and had some fun."
"THE PIRATES of Penzance" are no ordinary pirates. Some wear vests made from heavy upholstery; others have faux-leather vests. All the pirates' costumes are embellished with sashes, scarves and colorful ties, but perhaps none are as swanky as the Pirate King (a gruff Curt Olds), who is dressed to raid and pillage in high style, wearing gorgeous silks shot through with metallic threads and beaded, tasseled scarves. Oh, and a polka-dot vest.
Namba kept the tone of the light opera in mind, working humor into the costumes. For example, she debated whether to give the mermaid a belt -- a beautiful coral-and-blue-colored braided piece studded with large shells and possibly a fake squid -- bought from a fishing supply store.
Design has been a passion of Namba's since she was 12. After graduating from the Fashion Institute of Technology in New York, she started in the business as a costume designer for Radio City Music Hall, and was hired per assignment. But she found the lack of steady work frustrating.
"It's hard to keep a steady job (in costuming); there's a costume union," she said of her switch to fashion design. "Fashion design is easier. It's hard to advance in costume design. But with fashion, you get a hit, you get good, you get stores to start buying. ... I like to build things and see things grow. I'm also an entrepreneur at heart."
Her current clientele includes Aretha Franklin, Sen. Hillary Rodham Clinton, Sharon Stone and Kristi Yamaguchi, and her creations have been sold in Neiman Marcus, Nordstrom and Bergdorf-Goodman in New York.
Namba said she does finds her design sensibility making its way from her line into "The Pirates of Penzance." The two-piece bridal dress was the inspiration for the mermaid's costume, and the designer's trademark is also evident in a few select duster coats worn by the pirates. Some cloaks have Mandarin collars and boxy shapes, complete with embroidery or tapestries imprinted or woven into the cloth. But there are also other, more subtle clues of her style visible in the buttons and the brocades she selected.
"I notice little things like that. I always look at the details when I'm at the opera," she said. "You never know -- the pirates could have gone to China, right?"
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