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"Maui"HapaSelf-Distributed A zesty rendition of "Haleakala" opens the album and sells the new duo in no time. "Twinkletoes" showcases Aweau's strength on bass, "Slacking Off" gives Flanagan the instrumental spotlight, and "Papa E" juxtaposes Tokelauan lyrics with an African world music vibe. "Kealoha Bebop w/Charlie" is their biggest leap forward into post-modern Hawaiian music, as Charles Kaupu and Kealoha join them in adding slam poetry, chant and alternative rock to this impressive collection.
"KoAloha"Daniel HoDaniel Ho Creations The concept behind the album is that this is Ho's first recording using his custom-made KoAloha D-VI 6-string ukulele. Two added strings give the D-VI a bass sound as those of a guitar, allowing Ho to play in a style similar to conventional ki ho'alu guitar. Therein lies the one possible quibble about this album: Embellishing the arrangements with guitar overdubs, while making the music more interesting, also makes it a bit more difficult to tell what the D-VI is capable of by itself.
"Welo"Kaumakaiwa Kanaka'oleThe Mountain Apple Company Kanaka'ole writes of Hilo, family, and the sometimes painful search for love and self-understanding. He sings and chants over a lush musical tapestry of Hawaiian and Western instruments. The rich sound of a cello adds an unusual texture to one song, and harmonica brings bluesy tones to another. His parents' presence as chanters reinforces the theme of ancestral memories being passed on.
See the Columnists section for some past reviews.
John Berger, who has covered the local entertainment scene since 1972, writes reviews of recordings produced by Hawaii artists. See the Star-Bulletin's Today section on Fridays for the latest reviews. Contact John Berger at jberger@starbulletin.com.
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