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PERFORMING ARTS
Dirty DancingA local dance troupe
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I'm running late and I rush into King Kalakaua Plaza, hop into the elevator and wait expectantly for it to move. Nothing. The computerized voice tells me it is not possible to reach the floor I want. I rush back downstairs.
The Color of DanceIona Salon Series presents "Paint by Number"Where: 4th floor, Niketown building, King Kalakaua Plaza, 2080 Kalakaua Ave. When: 8 p.m. Friday and Saturday Tickets: $17 advance and $20 at the door, available at the Hawaii Theatre box office, online at www.hawaiitheatre.com, or charge-by-phone 528-0506 Call: 262-0060
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Finally, stepping out onto the fourth floor, I wonder if I've made a mistake. I see a large group of people milling about, mostly in underwear and beat-up clothes, a bare room and some people further off in the distance. Is this a dressing room? A bathroom? I seize upon the first fully dressed person I see.
Thankfully, it's Cheryl Flaharty, the artistic director of the Iona Contemporary Dance Theatre, and it seems I've arrived just in time.
The dance troupe is holding a Saturday afternoon rehearsal for its newest Salon show "Paint by Number." The dancers are wearing their oldest, makeshift workout clothes, soon to be doused with tempera paint.
The four male and eight female dancers are not only the focal point of this weekend's shows, they also are the props during the two performances. "I'm very interested in the skin of the dancers, the whites, the golds and silver," Flaharty said. "I'm very interested in the outside shell of the dancers. The paint transforms them into different animals and people."
In Iona's newest production -- through the use of paint, a bare room and accompanying music by the Quadraphonix neo-jazz band -- the troupe will explore themes of war, passion, humanity and materialism.
"There is beauty and sensuousness and there's also humor," said Flaharty.
This is the first rehearsal in the plaza space with all 12 dancers and the band. The entire space is empty except for the people in it. The dancers and a simple backdrop of six pieces of fabric will serve as the canvas for "Paint by Number." After the shows, the cloth panels will be available for sale.
For one dancer, Laura Brucia-Hamm, the biggest challenge of this structured improvisation is "putting dance and paint together to make artwork on a canvas and make something appealing," she said after rehearsal, while waiting to scrub paint off her body.
The paint being used? Buckets and buckets of Crayola washable paint. The troupe used about 10 gallons of paint during every previous rehearsal at Flaharty's home.
Iona holds a series of performances two to three times a year at a variety of locations around Oahu. "Cheryl has taken dance out of the traditional studio and is putting it on the streets for younger people," said Crystal Brewe, Iona's managing director.
The owners of the plaza accepted the group's experiment with color. "They didn't mind paint on the floor," said Flaharty, although the floor and the first row of spectators will be draped in plastic.
"With the tempera color, it's kind of reminiscent of Gallagher," said Brewe, referencing the comedian's infamously messy shows.
Conceptually, "Paint by Number" is based on a book Flaharty read, "The Disappearance of the Universe," about the search for spiritualism despite the lure of materialism. "Everything in the material world has color," she said. "(But then) out of color comes separation or duality. Blue is jealous of red or they're attracted to each other."
The live music echoes the production's experimental sensibility.
Working with simple directions from Flaharty, the band "was just playing for ourselves and having fun with it," said drummer Jonathan Hereaux of the Caribbean, rumba and jazz-inspired music Quadraphonix usually plays.
"We were hyper-aware of each other," said bassist Susan Capp of the dancers and musicians.
Much of the show's music takes its cue from the band's CD, "Just a Reminder Note," with improvisational adjustments made for the shows. Three songs have been condensed into one; another is embellished with somber bowing on Capp's bass to mimic "The Birth of Color," the first dance sequence.
"Both the dancers and the band are experimenting," said Brewe.
"We were trying to match Cheryl's vision into music, and match a color chaos," said Hereaux. "Cheryl is great because she gives you a little bit of (direction) and allows you to go with it."