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California storms bring
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Although an Oahu finale had been in the original script by Allen and Matt Carroll, the production planned, up to about three weeks ago, to use a Malibu site to save money.
Director Brian Robbins, Fay and Allen fought for the Hawaii shoot and finished filming a day early in California to save enough money to shoot here. It's unusual for a major production to shoot principal photography in Hawaii for one day because of the expense involved, although Fay says the day at the beach cost the production "well under $500,000."
"The studio has been very happy with the film, and the weather has been so awful in California that we were concerned if we had tried to film the beach scene there and had to postpone it, we could have ended up spending more," Fay said. "And there's no way to really get California to match Hawaii."
Robbins agreed: "Either you write a new ending to the movie or come to Hawaii, because you're never going to fake this."
A major factor in coming was the quality of Hawaii crew.
"I knew firsthand from doing part of 'Godzilla' here that the high quality of Hawaii crew meant we only had to bring minimal crew from L.A.," Fay said. "We would have brought even fewer if (local crew) weren't so busy with other productions."
"You always want to finish in Hawaii," Fay said.
Scenes included shore-break kisses between Allen and Davis, their kids tossing a Frisbee for an imaginary dog, and sunset shots. None of the several dogs used in the production made the Hawaii trip.
Allen, sources said, thought the original "Shaggy Dog" film was terrible.
"The memory of it is better than the movie," he said in a recent article.
Robbins said Allen's dog impersonations have been "hysterical."
"People forget what dogs do, and then when you see a human being like Tim do it, it's hysterical since all rules are out," he said. "As a dog, Tim can't concentrate very long, like, if there's food in the room. When he has to take a leak, well, he does."
Allen says playing a dog enables him to see humans from a very different perspective.
"I get to be a fly on the wall. ... Sometimes I growl. It's got big room for comedy for me."
Robbins, who had only visited the Big Island and Maui in the past, was so taken by the North Shore that during the filming he spent a lot of time on the phone negotiating to buy a house near the point at Waimea Bay.
"I'm going to call Brian Grazer to say I want to direct 'Blue Crush 2 and 3' straight to video so I can walk to work," Robbins said. "Not a bad career move."