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ON STAGE
Mato, Wilson shine in
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'South Pacific'Presented by the Iolani Dramatic Players at Hawaii Theatre. Repeats at 7 p.m. today. Tickets $10 general. Call 528-0506.
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Mato's appeal as a song-and-dance girl coupled with choreographer Christine Yasunaga's dancing nurses makes the big "Honey Bun" number a highlight as well.
Wilson as Bloody Mary, brings similar zing to the show. She provides an unexpected jolt of dramatic energy while interacting with sailors in "Bloody Mary," gives "Bali Ha'i" surprisingly seductive undercurrents, and delivers "Happy Talk" with the same engaging charm. The only problem -- and here director Glenn Cannon creates an unconventional subtext for the story -- is that Wilson is so vivacious and appealing that she looks more like a comely beachcomber than a hard-boiled, foul-mouthed old Tonkinese hustler. Wilson's costume and makeup don't work in making her look the part, but it is a memorable performance anyway.
The men suffer in comparison, but Dillon Powers (LT Joe Cable, USMC) meets the challenge of making "You've Got to Be Carefully Taught" the bitter indictment of prejudice it should be, and Emmanuel Zibakalam (Emile de Becque) sounds appropriately forlorn on "This Nearly Was Mine." Nate Anderson (Luther Billis) was a big hit with his comic dancing in "Honey Bun."
Zibakalam proves himself to be one of the strongest male actors. Powers, Austin Barnes (Cmdr. Harbison) and Charles Fasi (Capt. Brackett) get most of the intended laughs out of the scene in which Cable is put in his place after expressing surprise that a woman could be attracted to an older man. Anderson and his crew of overly clean-cut sailors likewise miss only a laugh or two in "There is Nothin' Like a Dame."
There are times when allowances must be made for high school productions, but musical director John Anderson and his orchestra, and the IDP sound crew, give this demanding show almost flawless support and perform at a level that would be exceptional even for Honolulu's top community theater groups.