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The Goddess Speaks

By Lisa Linn Kanae

Tuesday, April 25, 2000


Always something
left to remind me

I forget I'm an oppressed chick, until I watch the heroine in "Miss Saigon" (named Kim) shoot herself in the head after she discovers that her long-absent American G.I., the father of her toddler, has been married for the past three years to some white woman in America named Ellen.

Ellen stands by her " 'nam vet" even after she finds out that he never told her about his quixotic duet with Kim. Before the intermission, the G.I. met Kim, who was a prostitute (against her will, of course) in Dreamland -- a hostess bar frequented by American soldiers who buy Vietnamese prostitutes from a Vietnamese pimp, who is (of course) the principle character of the show.

I forget I'm an oppressed chick, until I tell a Las Vegas taxi cab driver that I'm in town for a hula halau competition and he says, "Hula girls! I've got to tell this to the boys! So where'd you say we could watch you girlies do yer belly dancin?"

I forget I'm an oppressed chick, until I have a dinner conversation with a male M.D./aspiring TV producer who is developing a sitcom.

"Picture this," he tells me, "four young male professionals share a mansion on Hawaiian luxury real estate in East Oahu (waterfront property, of course). These guys have a maid -- a Tia Carerra type who is, you know, like a cute local-girl/Asian chick -- wears surfer shorts, tank tops up to here, twiddles with her waist-length hair while she carries around a laundry basket and answers the phone."

I ask him why a local Asian woman?

"Because," he tells me, "you got to give people what they want. You got to give 'em what they expect."

I forget I'm an oppressed chick, until I buy a plate lunch from a spunky fiftysomething lunch wagon lady whose eyes and chest are bruised and shiny swollen. "I just had my lids lifted and my boobs done," she tells me.

"Best thing I ever did for myself. It was my new boyfriend's idea. He picked up the tab. The swelling's almost gone, but the bruises will take a little longer. I'm trying to get my mother to have something done too!"

I forget I'm an oppressed chick. I have a college education. A challenging career. An IRA and two e-mail accounts. Lycra makes me itch and the treads on my Doc Martens aren't too thin, yet. Sometimes I mistake myself for someone who just might be privileged, until I am reminded. The signs are insidious.

I remember we are oppressed chicks when I hear a female student rant, "I hate everything I write. I'm not writing for me; I'm writing to please," she goes on. "I never know how to end my stories, so I kill off all my characters." Everyone in the class laughs even if her frustration is very real.

"Try starting your story at the end," I tell her. "Start with how you want things to be."

She says she'll try. It won't be easy.


Lisa Linn Kanae is a writer who teaches
writing at Kapi'olani Community College.



The Goddess Speaks runs every Tuesday
and is a column by and about women, our strengths, weaknesses,
quirks and quandaries. If you have something to say, write it and
send it to: The Goddess Speaks, the Honolulu Star-Bulletin, P.O.
Box 3080, Honolulu, 96802, or send e-mail
to features@starbulletin.com.





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