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We know the tradition best from Kamehameha Day (which began in 1872) and from Aloha Week celebrations. The individual islands are limned by hula dancers or pa'u riders, usually just the primary islands -- Hawaii is red and represented by the lehua blossom, Maui is pink and the roselani, Kahoolawe is gray and the hinahina, Lanai is orange and the kauna'oa, Molokai is green and the kukui, Oahu is yellow and the ilima, Kauai is violet and the mokihana, Niihau is white and the pupu, and Molokini is blue and the limu kala.
But this "tradition" is less than a century old. It grew out of a melding of Hawaiian territorial concerns and the influence of parades, pageants and "tableaux," European customs in which individuals represent larger groups in public gatherings. Tableaux, in which real people pose a still life, were particularly popular. We see this today in yuletide "manger" scenes.
According to an article by Amy K. Stillman in The Hawaiian Journal of History, the earliest known link of flowers to islands is the song "Na Lei O Hawaii," composed by Rev. Samuel Kapu in 1900. By 1909 it was being used as a tableaux background by the Kaahumanu Society. A more famous song of the same name was composed by Charles E. King in 1914.
The idea caught fire and soon "princesses" representing islands became an instant tradition.
In 1923, the Outdoor Circle demanded that the hibiscus become the flower representing all the islands, and Joint Resolution No. 1, passed by the Territorial Legislature that year, also listed individual island flowers. Polynesian varieties of hibiscus have since been interbred with thousands of foreign species, creating a metaphoric symbol for Hawaii that also looks good on a pretty girl's ear.
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