Cyril Pahinui
demonstrates
his artistryKa Ho'oilina Mau: Cyril Pahinui (Poki)
The title of this recording translates as "the legacy continues," and that perfectly defines the concept and contents of this beautiful album. Cyril Pahinui commemorates his father Gabby Pahinui's contributions to Hawaiian music while displaying his own style and technique. The legacy continues, not only in Gabby's music, but in its evolution as Cyril's music as well.
The songs are some of Cyril's favorites. Extensive annotation by Cyril and Louis "Moon" Kauakahi puts each song in perspective and provides valuable insights into the cultural milieu.
Modern technology reunites father and son on " 'Ahulili" as Cyril performs opposite a 1958 recording of Gabby's. Such projects can be tricky. Cyril and producer Kata Maduli pull it off perfectly.
The Makaha Sons, Michael Grande and Sean Na'auao distinguish themselves as guests without diluting the impact and ambiance of Cyril's performance. He has never been better.
This is one of the year's best Hawaiian albums. It belongs in every collection of modern Hawaiian music.
Polynesian-P-Funk: B.E.T. (Tropical Jam Productions)
TIM "Papa T" Troxell was a major influence as Diane & Da Boyz evolved from faux Jamaicans into a more creative sound. Still one of Da Boyz, T comes on strong with Joe Lewis "J.D." Daniels Jr. as Big Every Time (B.E.T.). Their original rap has national potential.
The tracks are spare but solid. The lyric images ring true given the local gang violence of recent memory. The duo offers the usual inner city rationale for drug dealing and "getting high," but generally endorses education and personal integrity.
B.E.T. calls on Hawaii's various Polynesian peoples to set aside current ethnic and turf rivalries. Non-Polynesians are also included in the invitation.
J.D. provides the "urban" edge. T adds his popular Caribbean-rap riff. David Kahelewai III (guitar) and vocalist Jeannie Kelsall guest on a somber love song. Fiamalu Leoso (bass) and musical producer Craig Sherrad complete the crew.
Hana Hou: Hui Ohana (Lehua)
THE Hui Ohana trio reprised their successful formula with album two in 1973: Nedward Kaapana on bass, and Dennis Pavao and Ledward Kaapana on guitar, smooth harmonies and falsetto vocals.
Their renditions of Hawaiian standards have aged well. A hapa-haole number adds diversity.
Lehua is rereleasing five early Hui Ohana albums separately on disc. No lyrics or translations are provided. Updating the annotation would give fans more for their money.
See Record Reviews for some of John Berger's past reviews.
See Aloha Worldwide for locals living away.
John Berger, who has covered the local
entertainment scene since 1972, writes reviews of recordings
produced by Hawaii artists. See the Star-Bulletin's Home Zone
section on Fridays for the latest reviews.
